Showing posts with label 10. Show all posts
Showing posts with label 10. Show all posts

Monday, 9 January 2012

My 10 Best Hip Hop Tracks Of 2011



I know this is a bit late but it's still relevant. In no particular order, here is my list of my favourite ten tracks last year:

1. Kendrick Lamar - Ronald Reagan Era 
The standout track of a tough field on Section. 80. Compelling production from RZA is married with razor sharp socio-political rhymes from Lamar.

2. Raekwon feat. Nas - Rich & Black
A scene stealing turn from a rejuvenated Nas places this track above the others on Shaolin vs Wu Tang. The collaboration proved false the notion that the two MC's careers are in terminal decline.

3. Common feat. John Legend - The Believer
A late entry as the album was only released at the end of December. The first track from The Dreamer, The Believer contains a stirring hook from Legend, while Common reminds listeners of the uplifting power of his music.

4. Game feat. Kendrick Lamar - The City
A reminder that when Game is on form, very few can match his intensity or honesty. The R.E.D Album cut also features a memorable cameo from Lamar, subduing the beat into silence as the crown is metaphorically passed on to the West Coast newcomer.

5. J Cole - Lost Ones
Despite Cole World: The Sideline Story being generally disappointing, the project did show glimpses of what made the LP so highly anticipated. Such evidence is found on 'Lost Ones', as Cole explores the ramifications of an unplanned pregnancy from the perspective of both partners.

6. Reks - Wonder Years
Over a haunting beat from Hi-Tek, Reks explores his adolescence and alcoholism, the title of the track becoming ironic as the ferocious rhymes batter it into submission. Rhythmatic Eternal King Supreme was criminally ignored upon it's March release.

7. Mellowhype feat. Tyler, the Creator - F666 The Police
Odd Future members Hodgy Beats and Left Brain re-released their side project BlackenedWhite in 2011. The track features the raucous, dark themes the collective is known for, with a memorable appearance from the characteristically schizophrenic Tyler.

8. Jay Rock - Code Red 
Underrated project Follow Me Home was introduced by the unmistakably West Coast 'Code Red'. Over mournful piano keys, Jay Rock provides rhymes heavily reminiscent of a young Game.

9. Jay Z & Kanye West feat. Frank Ocean - Made in America
Though Watch The Throne was highly disappointing, it did feature standout track 'Made in America'. The Frank Ocean hook complements the deep, introspective subject matter that should have pervaded the whole album.

10. Mobb Deep feat. Nas - Get It Forever
After Prodigy was released from prison, the Queensbridge duo released The Black Cocaine EP to satisfy impatient fans. Undeniable gutter chemistry was achieved on 'Get It Forever', Nas in particular rounding out the year in style.

Friday, 21 October 2011

Xzibit - The Garage, Glasgow. 19/10/11


For the second time in a fortnight I traveled to Glasgow to experience the unbridled joy that is provided by G2 (Not the main venue, just round the back!) Fortunately, there were no fights outside this time. The entrance, though, was surrounded by a litany of unsavoury characters, someone helpfully shouting "RUFF RYDERS!" at me as I entered. Though it is always nice to see appreciation of DMX, The LOX and the work of Swizz Beatz, we were all here to see Xzibit (perhaps he was a Drag-On fan?). There was a VIP package offering 3 CD's, a t-shirt and 15 minutes backstage with X, but I respectfully declined, preferring to take my chances in the crowd.
After keeping us waiting just a tiny bit too long (after Snoop Dogg arrived an hour late I'm prepared to forgive more minor tardiness), X took to the stage, sparking the set off with new single 'Xzibit v. The State of Hip Hop'. Aided by hype man Young De, the West Coast veteran bounced across the stage, regularly flashing his cheesy grin as the more familiar fare took over the set list. 'Front 2 Back' and 'Get Your Walk On' were highlights of a Restless heavy focus, with 'Alkaholic' predictably sending the crowd into a frenzy. The rapper outlined his credentials, asserting that he could drink more than "any motherfucker in this room!" Any hopes of witnessing him down a pint of Tennent's were swiftly dispelled, but the song was played twice during the performance to a typically rowdy response.
A medley of standout verses from his association with Aftermath Records followed, hits such as 'Bitch Please', 'Bitch Please II' and 'What's the Difference' were merged to give a strong West Coast flavour to the evening. In a similar vein, 'California Vacation' was played to a rousing reception.
The gig took a sombre turn with a tribute to Nate Dogg, followed by a return to first album material with 'Paparazzi'. Though the song matched the tone of the tribute, it seemed strange that he rapper chose not to perform one of the many songs he has recorded with the late soul singer. The set list continued with the theme of 90's hits, 'What You See is What You Get' from 40 Dayz and 40 Nightz being performed with typical enthusiasm. More recent fare was thin on the ground, 'Muthafucker' from Weapons of Mass Destruction and 'Multiply' proving popular, the gig finishing with 'Thank You', a heartfelt tribute to the fans who have supported the rapper through thick and thin. The performance ended abruptly just over the hour mark, with the rapper finishing mid song and walking off the stage. His DJ carried on playing, raising hopes for an encore ('Hey Now' and 'Heart of Man' were sorely missed), but after 5 minutes it became apparent he was not to return. The crowd left puzzled, but generally satisfied by an evening with one of the West Coast's most enduring voices.